La Mémoire De L

Montreal of another time is reborn into screen through images from a hundred of movies and shorts produced by the National Film Board of Canada while at its first four decades of existence. Port activities, musical shows, presence of Church, labors life, hockey fever and the best years of "Red Light" are few of the chapters of this collective family album.

The father, A-Kuang, is jobless but pretends to go out to work everyday. The mother, A Siou, is willing to sacrifice everything to protect the family. The son, Yi-Peng, has a dream to study abroad. They struggle and sacrifice but they never seem to find what goes on eachother's hearts. When it comes to a seemingly happy ending, perhaps nothing is resolved…

A man murders his dying lover. He drowns him in a tub of water. We drift through the man's mind in the hours after the death. He falls more and more deeply into layers of memory. La mémoire de l'eau is a tale of fear, love and grief set in a world of uncertain boundaries.

1834 – La Mémoire de Masse unfolds during the second canuts revolts in Lyon in 1834. These riots now known as the ‘bloody week’ came as a reaction to the automation of work in the silk industry by the jacquard loom and its implementation of the punched card – first historical ‘mass storage’ system allowing the inscription and replication of complex weaving patterns. This inaugurating event in the history of workers emancipation movements of the 19th century is actually the first revolt against modern computation.

Based on the novel "L'avenir est un crime du passé" an autobiographical novel of Arab cameraman Rahal Amin Touati, and "The house of certain Death" written by Albert Cosseri.

The cliché has it that a picture is worth a thousand words. But is that true? Now in his thirties, Nicolas Wouters tries to find out what his grandparents’ photos do not reveal about their life as colonials in the former Belgian Congo (now the Democratic Republic of the Congo) in the period 1946-1958.

Born in 1925 into a modest Guyanese family, Auxence Contout studied in Paris on a scholarship at a time when few ultramarines were so fortunate (a decade after Léon Gontran Damas and Aimé Césaire). He has dedicated his life to exploring the Guyanese Creole culture, a counter-culture born of the deprivation of the basic rights of slaves from Africa, which has been enriched by Amerindian, European, Indian and Chinese influences... A man of transmission, he has tirelessly shared his knowledge of tales, proverbs, language, dances, carnival... In order to find its origins, he had to undertake a fascinating journey into the cultures of the whole world.

The small town of Los Angeles abounds with treasures that the entire of France envies her : Its carwash, banks, supermarket and even its pear vendor. Nevertheless, despite these admirable modesties, the small town's charm and character unravels due to a lack of tenderness.

Photos, videos, emails, medical records, pay slips ... We produce millions of virtual digital documents. What if they disappeared? Sustaining and securing this data is a strategic, economic and societal challenge. Who are the guardians of this memory? Investigation at the heart of the cloud.

A documentary that lifts the veil on the issues of construction, evolution and transmission of memory after the attacks in Paris and Saint-Denis.

The Chagossians used to live in the Chagos Archipelago, under British rule, in the Indian Ocean. Between 1967 and 1973, the British government progressively evicted the islander population from their homelands to allow the United States to build a huge military base on Diego Garcia, the largest of the islands. The base was strategically important to the US and British involvement in Afghanistan and other Middle Eastern fields of military operation. No consultation took place with the Chagossian people, and they were given no choice. As the film powerfully documents, the islanders were forced to survive in shanty towns in Mauritius and the Seychelles and were given no prospect of ever returning to their home. Many of them survive today in inadequate housing and poor living conditions, unwelcomed by their host communities. They can only dream of their archipelago and share one obsession: to return home.

The first sequence shows us an elderly woman in the process of taking a test which seems extremely simple. However, the patient cannot remember the words she has just read. This loss of memory is one of the symptoms of Alzheimer's disease. With patience and respect, Richard Dindo meets people suffering from this scourge. In the course of these testimonies, “La maladie de la mémoire” makes the difficult confrontation with the gulf of forgetfulness particularly sensitive. This film modifies our intimite relationship with the past, the present, but also with the future.